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0 · michele de lucchi biography
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De Lucchi designed two collections for Hermès with three designs in each. The Pantographe, . "In today’s world, it’s crucial to go slowly." The painstaking process paid off with .
De Lucchi has designed lamps and furniture for the most known Italian and European .Michele De Lucchi (Ferrara, 1951) has kept a leading role in the Italian architectural and design . Michele De Lucchi has designed lamps and furnishing elements for the main .Michele De Lucchi was born in 1951 in Ferrara and graduated in architecture in Florence. During the period of radical and experimental architecture he was a leading figure in movements such as Cavart, Alchymia and Memphis. De Lucchi has designed furniture for the most famous Italian and European companies such as Artemide, Olivetti, Alias .
michele de lucchi biography
De Lucchi’s Harnais lamps, inspired by a horse harness, feature hand-saddle-stitched leather straps connecting the base to an opaline shade. . hermes.com. Items are now available for pre-order .Michele De Lucchi was born in 1951 in Ferrara and graduated in architecture in Florence. During the period of radical and experimental architecture he was a prominent figure in movements like Cavart, Alchimia and Memphis. De Lucchi has designed lamps and furniture for the most known Italian and European companies, as Artemide, Olivetti, Alias .In 1976 De Lucchi moves to Milan, accepting Andrea Branzi’s invitation to contribute in the set-up of Il design italiano degli anni ’50 (“Italian design in the 1950s”), a seminal exhibition held at Centro Kappa. This is a crucial occasion, a breakthrough for De Lucchi in many regards: on a cultural plan, as he becomes familiar with the field of actual product design, but also, more .
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Michele De Lucchi was born in 1951 in Ferrara and graduated in architecture in Florence. During the period of radical and experimental architecture he was a prominent figure in movements like Cavart, Alchimia and Memphis. De Lucchi has designed lamps and furniture for the most known Italian and European companies, as Artemide, Olivetti, Alias .He was a key player in Memphis, the Milan-based design group organized around Ettore Sottsass of Olivetti. Sottsass, De Lucchi’s mentor, was instrumental in making radical design notions palatable to popular taste as early as the 1950s. De Lucchi exhibited with . Architect Michele De Lucchi, 72, is the author of worldwide masterpieces such as the Bridge of Peace (Tbilisi, 2010) [1], Zero Pavillion (Expo Milano 2015) [2], Novartis Pavillon (Basel, 2022) [3]. Saint-Honoré store created in wood by Italian artist Michele De Lucchi,while an original model of French artist Nathalie Du Pasquier’s Beta scarf is displayed on this same floor. For the occasion, a limited-edition collection will be offered solely in the Montenapoleone store, including a silk twill scarf, a Constance bag, a
michele de lucchi artist
De Lucchi, quien se define como "un constructor de objetos", sugirió elegirlos mejor y "desecharlos cuando sea necesario. Saber cuándo están demás, ocupan lugar o bien, si facilitan la vida .De Lucchi has designed furniture for the most known Italian and European companies as Artemide, Olivetti, Alias, Unifor, Hermès, Alessi. For Olivetti he has been Director of Design from 1992 to 2002 and he developed experimental projects for Compaq Computers, Philips, Siemens and Vitra.He designed work and corporate identity spaces for .Michele De Lucchi (1951) was born in Ferrara, Italy. After graduating in architecture in Florence, over the course of the 1980s he consolidated his working relationship with Olivetti, having begun in 1979 thanks to Ettore Sottsass, who had entrusted him with the design of the office furnishing systems for the Synthesis division.
Lot 145: Michele de Lucchi. Antares vase. 1983, glass. 19¼ h × 12¼ w × 10 d in. result: ,875. estimate: ,000–3,000. Incised to lower edge 'M. de Lucchi per Memphis by Compagnia Vetraria Muranese'.In the meantime, De Lucchi was also engaged on many other fronts and with AMDL won competitions for the renovation of Deutsche Bank’s offices (1990) and the redevelopment of Deutsche Bundesbahn’s railway stations (1995). Our practice has been constantly evolving ever since. Together we have created numerous and diverse architectures for .
Michele De Lucchi 曾于七十年代相继加入过两个代表性的激进派建筑（设计）团体：Carvart、Studio Alchima。前者专注于建筑，主张在建筑与环境之间搭建联系，常用简单的日常材料制作建筑物；后者则跨学科、多形式，广泛涉及服装设计、戏剧布景、产品设计、建筑等，风格更为后现 . De Lucchi designed two collections for Hermès with three designs in each. The Pantographe, inspired by a draftsman's instrument, is a mechanical sculpture of leather and steel whose lithe arms swing with eerie silence.
"In today’s world, it’s crucial to go slowly." The painstaking process paid off with lighting that possesses unusual flair. De Lucchi’s Harnais lamps, inspired by a horse harness, feature.
De Lucchi has designed lamps and furniture for the most known Italian and European companies, as Artemide, Olivetti, Alias, Unifor, Hermès, Alessi.
Michele De Lucchi (Ferrara, 1951) has kept a leading role in the Italian architectural and design scene for the past five decades, achieving great fame also beyond national borders starting from the mid-1980s.
Michele De Lucchi has designed lamps and furnishing elements for the main Italian and European companies. He has developed experimental projects for Compaq Computers, Philips, Siemens and Vitra. Michele De Lucchi’s Pulcina Stovetop Espresso for Alessi Accolades abound in De Lucchi’s career. The architect/designer created products for some of the most well-known Italian and European brands, including Alias, Unifor, Vitra, Alessi, Hermes and, of course, Artemide.De Lucchi has designed furniture for the most known Italian and European companies as Artemide, Olivetti, Alias, Unifor, Hermès, Alessi.De Lucchi has designed lamps and furniture for well-known Italian and European companies, such as Artemide, Olivetti, Alias, Unifor, Hermès and Alessi. [2] . For Olivetti he was Director of Design from 1988 to 2002 and developed experimental projects for Compaq Computers, Philips, Siemens and Vitra.
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From January 2018, for ten issues, MDL was the new content director of Domus, called to bring his vision to a system that changes governance, restores the sense to objects, reconstructing a lost value or otherwise difficult to attribute in the vortex of the globalization of styles and trends.
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